A landmark collection of over 200 complete musical compositions and movements, ranging from the Middle Ages to the present, ANTHOLOGY FOR MUSICAL ANALYSIS offers first- and second-year music theory students a wealth of illustrations of chords, voice-leading techniques, and forms, plus some material for figured-bass realization and score reading. Because this book takes no theoretical position, it is adaptable to any theoretical approach and to any type of curriculum, including those that combine theory study with music literature and the history of musical style.

Part I: MEDIEVAL AND RENAISSANCE COMPOSITION. Introduction. Examples of Plainchant. Kyrie from Mass XIII. Tone for the Benedicamus Domino. Hymn to St. John the Baptist. Hymn for Lauds, December 25. Antiphon for Vespers, 3rd Sunday of Advent. Gloria Patri for the Introit of the Mass. Hildegard of Bingen. Excerpts from Ordo Virtutum (morality play). Guillaume de Machaut. De bon espoir. Puisque la douce rosee. Speravi (isorhythmic motet). Guillaume Dufay. Communio from Missa Sancti Jacobi (fauxbourdon). Josquin Desprez. Tu pauperum refugium (motet). Baisés moy (double canon). Giovanni Pierluigi da Palestrina. Sanctus and Benedictus from Missa Aeterna Christi Munera. Roland de Lassus. Three Duos. 2-Beatus homo. 5-Expectatio justorum. 12-Sicut rosa. Examples of Stock Basses (late sixteenth century). Claude Gervaise. Pavane Passamaize. Jacomo Gorzanis. Passamezzo and Saltarello (dance pair). Greensleeves. Thomas Morley. Now is the Month of Maying (ballet). Carlo Gesualdo. Moro lasso al mio duolo (madrigal). Part II: BAROQUE COMPOSITIONS. Introduction. Claudio Monteverdi, 1567-1643. \"Cruda Amarilli\" from The Fifth Book of Madrigals. Giacomo Carissimi, 1605–74. The Daughter’s Lament from Jephte. Arcangelo Corelli, 1653-1713. Adagio and Allegro from Violin Sonata, Op. 5, No. 1. Allemanda from Trio Sonata, Op. 4, No. 11. Henry Purcell, ca. 1659-1695. Dido’s Lament from Dido and Aeneas. Johann Caspar Ferdinand Fischer, ca. 1665–1746. Prelude and Fugue No. 6 in E Phrygian from Ariadne musica. François Couperin, 1668-1733. Les Moissonneurs from Pièces de Clavecin, Ordre VI. Notebook for Anna Magdalena Bach (1725). Four Pieces. March. Minuet. Aria. Polonaise. George Frideric Handel, 1685-1759. Concerto Grosso in B minor, Op. 6, No. 12 (in score). Largo. Allegro. Chaconne in G Major from Trois Leçons. Recitative: \"Thy rebuke hath broken his heart\" from Messiah. Aria: \"Where’er you walk\" from Semele. Johann Sebastian Bach, 1685-1750. Allemande from French Suite No. 6 in E major. Gavottes I and II from English Suite No. 3 in G minor. Bourrée I and II from Suite No. 3 in C major for Violoncello Solo. Sarabande and Double from Partita No. 1 in B minor for Violin Solo. Two Inventions. No. 4 in D minor. No. 12 in A major. Preludes and Fugues from The Well-Tempered Clavier. from Book I. Prelude 1 in C major. Fugue 2 in C minor. Fugue 11 in F major. Fugue 16 in G minor. Fugue 21 in B-flat major. from Book II. Fugue 16 in G minor. Contrapunctus VII from The Art of Fugue. Four Canons from The Musical Offering. Crucifixus from Mass in B minor. O Gott, du frommer Gott (chorale variation). Three Chorale Preludes. Gott, durch deine Güte from Orgelbüchlein. Durch Adam’s Fall ist ganz verderbt from Orgelbüchlein. Wachet auf, ruft uns die Stimme from Schübler Chorales. Domenico Scarlatti, 1685-1757. Sonata in D major, K. 96 (Longo 465). Part III: CLASSICAL COMPOSITIONS. Introduction. Joseph Haydn, 1732-1809. Piano Sonata No. 36 in C-sharp minor, first movement. Piano Sonata No. 37 in D major, third movement. Piano Sonata No. 3 in C major, third movement. String Quartet in G minor, Op. 74, No. 3, second movement. Symphony No. 101 in D major, third and fourth movements (in score). Muzio Clementi, 1752-1832. Sonatina in G major, Op. 36, No. 2, first movement. Wolfgang Amadeus Mozart, 1756-1791. Theme with Variations from Piano Sonata in D major, K. 284. Piano Sonata in B-flat major, K. 333. Allegro. Andante cantabile. Allegretto grazioso. Sonata for Piano and Violin in B-flat major, K. 378, first movement. Menuet and Trio from Serenade in C minor, K. 388 (in score). Fantasia in C minor, K. 475. \"Là ci darem la mano\" from Don Giovanni, K. 527. The Bird-Catcher’s Song from The Magic Flute, K. 620. Clarinet Concerto in A major, K. 622, first movement (in score). Kyrie from Requiem, K. 626. Ludwig van Beethoven, 1770-1827. Piano Sonata No. 1 in F minor, Op. 2, No. 1, first and third movements. Piano Sonata No. 4 in E flat major, Op. 7, second movement. Piano Son